Published by Strelka Press
Price: 70 lei
In the US, adults spend an average of two hours and 51 minutes on their smartphones every day. That is eight minutes longer than Andrei Tarkovsky’s film Stalker. We’re not interested in telling you to put your phone down and start paying attention to the real world. Instead, we want to investigate the kind of experience we have whilst staring at these tiny screens and the digital platforms that inhabit them. We are interested in calling this something other than smartphone addiction. We are interested in calling it cinema. Digital Tarkovsky is an extended poetic exploration of how our experiences of visual entertainment and time itself are changing in the era of the smartphone and near-constant connection. This essay applies the ‘slow’ cinematic art of Andrei Tarkovsky to our interaction with the digital, visual reality of screens and interfaces. Digital Tarkovsky is a way of tracing what cinema, storytelling, and time mean in our platform-based world.
The work of Metahaven consists of filmmaking, writing, design, and installations, and is united conceptually by interests in poetry, storytelling, digital superstructures, and propaganda. Films by Metahaven include The Sprawl (Propaganda about Propaganda) (2015), Information Skies (2016), Possessed (2018, with Rob Schr?der), Hometown (2018) and Eurasia (Questions on Happiness) (2018). Publications include PSYOP (2018), Black Transparency (2015) and Uncorporate Identity (2010). Their work is screened, published, and exhibited worldwide.